ID de tableau:: 2939
Portrait of an Old Woman Le Portrait dune Vieille Femme 1470-75
Musee du Louvre, Paris 1470-75 Musée du Louvre, Paris Netherlandish Northern Renaissance Painter, ca.1435-1494
ID de tableau:: 8829
Portrait of an old Woman Le portrait d-une vieille Femme 1654
Oil on canvas, 109 x 84 cm
The Hermitage, St. Petersburg 1654 Huiler sur le canevas, 109 x 84 cm L-ermitage, St.Pétersbourg Born 1606, Died 1669
ID de tableau:: 34399
Portrait of an Old Woman le Portrait d~une Vieille Femme mk93
1644
Oil on canvas
29 1/8x24 3/4in
Pushkin Museum
Moscow
mk93 1644 Huilent sur le canevas 29 Moscou de Musée de Pushkin de 3/4in de 1/8x24 Born 1606, Died 1669
ID de tableau:: 34588
Portrait of an Old Woman le Portrait d~une Vieille Femme mk93
1650
Pushkin Museum of Fine Arts,Moscow
mk93 1650 Musée de Pushkin de beaux-arts, Moscou Born 1606, Died 1669
ID de tableau:: 34589
Portrait of an Old Woman le Portrait d~une Vieille Femme mk93
1654
Pushkin Museum of Fine Arts,Moscow
mk93 1654 Musée de Pushkin de beaux-arts, Moscou Born 1606, Died 1669
ID de tableau:: 55954
Portrait of an old Woman mk247
c.1470,oil on panel,10.375x7 in,26.5x18cm ,museum of fine arts,houston,tx,usa Netherlandish Northern Renaissance Painter, ca.1435-1494
ID de tableau:: 73924
Portrait of an Old Woman Date between 1801(1801) and 1900(1900)
Medium Oil on canvas
Dimensions 59.7 X 49.5 cm (23.5 X 19.49 in)
cyf
(Dutch pronunciation:c. 1525 - 9 September 1569) was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes (Genre Painting). He is sometimes referred to as "Peasant Bruegel" to distinguish him from other members of the Brueghel dynasty, but is also the one generally meant when the context does not make clear which "Bruegel" is being referred to. From 1559 he dropped the 'h' from his name and started signing his paintings as Bruegel.
There are records that he was born in Breda, Netherlands, but it is uncertain whether the Dutch town of Breda or the Belgian town of Bree, called Breda in Latin, is meant. He was an apprentice of Pieter Coecke van Aelst, whose daughter Mayken he later married. He spent some time in France and Italy, and then went to Antwerp, where in 1551 he was accepted as a master in the painter's guild. He traveled to Italy soon after, and then returned to Antwerp before settling in Brussels permanently 10 years later. He received the nickname 'Peasant Bruegel' or 'Bruegel the Peasant' for his alleged practice of dressing up like a peasant in order to mingle at weddings and other celebrations, thereby gaining inspiration and authentic details for his genre paintings. He died in Brussels on 9 September 1569 and was buried in the Kapellekerk. He was the father of Pieter Brueghel the Younger and Jan Brueghel the Elder. Both became painters, but as they were very young children when their father died, it is believed neither received any training from him.
ID de tableau:: 88900
Portrait of an Old Woman 1564(1564)
Medium Oil on wood
cyf (Dutch pronunciation:c. 1525 - 9 September 1569) was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes (Genre Painting). He is sometimes referred to as "Peasant Bruegel" to distinguish him from other members of the Brueghel dynasty, but is also the one generally meant when the context does not make clear which "Bruegel" is being referred to. From 1559 he dropped the 'h' from his name and started signing his paintings as Bruegel.
There are records that he was born in Breda, Netherlands, but it is uncertain whether the Dutch town of Breda or the Belgian town of Bree, called Breda in Latin, is meant. He was an apprentice of Pieter Coecke van Aelst, whose daughter Mayken he later married. He spent some time in France and Italy, and then went to Antwerp, where in 1551 he was accepted as a master in the painter's guild. He traveled to Italy soon after, and then returned to Antwerp before settling in Brussels permanently 10 years later. He received the nickname 'Peasant Bruegel' or 'Bruegel the Peasant' for his alleged practice of dressing up like a peasant in order to mingle at weddings and other celebrations, thereby gaining inspiration and authentic details for his genre paintings. He died in Brussels on 9 September 1569 and was buried in the Kapellekerk. He was the father of Pieter Brueghel the Younger and Jan Brueghel the Elder. Both became painters, but as they were very young children when their father died, it is believed neither received any training from him.
ID de tableau:: 91669
Portrait of an Old Woman between 1468(1468) and 1470(1470)
Medium oil on panel
Dimensions Height: 25.6 cm (10.1 in). Width: 17.7 cm (7 in).
cyf Netherlandish Northern Renaissance Painter, ca.1435-1494
(1529-1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna.
He traveled to Rome in the mid-16th century, where he worked under Girolamo Vignola and Taddeo Zuccari. Upon returning to Bologna, he accumulated a large studio, and influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passarotti) was influenced by Passarotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passarotti). Lucio Massari and Francesco Brizzi were among his pupils. Four of Passarotti's sons, including Ventura, Aurelio, Tiburzio, and Passarotto were painters.
ID de tableau:: 92324
Portrait of an Old Woman second half of 16th century
Medium oil on canvas
Dimensions Height: 51 cm (20.1 in). Width: 40 cm (15.7 in).
cjr (1529-1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna.
He traveled to Rome in the mid-16th century, where he worked under Girolamo Vignola and Taddeo Zuccari. Upon returning to Bologna, he accumulated a large studio, and influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passarotti) was influenced by Passarotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passarotti). Lucio Massari and Francesco Brizzi were among his pupils. Four of Passarotti's sons, including Ventura, Aurelio, Tiburzio, and Passarotto were painters.
Bartolomeo Passerotti (1529-1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna.
He traveled to Rome in the mid-16th century, where he worked under Girolamo Vignola and Taddeo Zuccari. Upon returning to Bologna, he accumulated a large studio, and influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passarotti) was influenced by Passarotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passarotti). Lucio Massari and Francesco Brizzi were among his pupils. Four of Passarotti's sons, including Ventura, Aurelio, Tiburzio, and Passarotto were painters.
Portrait of an Old Woman
